For filmmakers, creatives & production offices
I'm KaMeek Lucas Taitt — film & TV producer. Co-producer on Empire City, credits on Paramount's Love & Monsters and AMC's Nautilus, and national spots for NBC, CBS & Hulu.
AI should give you more time for the work you actually care about — not become another tool to manage. We'll build three practical workflows around your real projects, so you leave with less busywork, more breathing room, and a clear way to use AI every day.
Run a production company or post house? There's a track for your whole office →
On set
Most AI advice for creatives is either hype or homework. Neither gives you any time back. Sound familiar?
You've tried a few. Big burst of excitement, then you're back to the old way. Nothing ever became a habit you trust.
Scheduling, notes, chasing down details across five different apps. The quiet stuff that eats the hours you'd rather spend making things.
This isn't a lecture or a tool demo. It's 90 minutes of real work on your actual bottlenecks, with someone who runs this stuff every day.
We find the repetitive stuff quietly eating your week. The tasks worth handing off first.
Each one takes a recurring task off your plate. Built around your projects and the way you actually work, so there's no generic advice to translate on your own.
What's fine to run through AI, what stays off-limits, and where to draw the line on sensitive stuff.
Small steps, in order, so this actually becomes part of your week instead of a good idea you forget.
For once you've started and hit a wall. Most advice skips this part. It's the part that makes it stick.
The goal isn't to turn you into an AI expert. It's a couple of workflows that quietly do their job, so more of your week goes to the work only you can do.
None of this saves you time if you're second-guessing where your material ends up. So before we build anything, we settle one question: what should never leave your hands?
We decide what's off-limits (scripts, footage, client material) before building anything around it.
We build every workflow around what you're comfortable putting into an AI tool, so nothing sensitive ends up somewhere you didn't choose.
You'll know exactly what each workflow touches, and how to explain it to a client who asks.
Film & TV producer · Empire City · Love & Monsters · Nautilus
I use AI to spend less time managing the work and more time doing the work:
My approach to AI is simple: if it becomes another thing to manage, it's failed.
I'm a producer, not a software company. I'm co-producing the feature Empire City, I have credits on Paramount's Love & Monsters and AMC's Nautilus, and I've produced national commercials for NBC, CBS, and Hulu. I use AI to remove friction, keep track of the loose ends, and protect my attention for the work that actually needs me. The goal isn't to squeeze more tasks into the day. It's to spend less of the day managing work and more of it doing meaningful work.
That's what this session is built around. We'll look at your real projects, find the recurring work that keeps stealing your time, and build three practical workflows around it. Clear boundaries. A simple setup. Less to carry.
Secure checkout via Stripe · prefer to talk first?
It's new, so I'm only taking three people to start. You get direct access and a real say in how it works.
The session above is built for one person. If you run a production company, a post house, or a producing team, the bigger win is an office where these systems run every day — and someone who keeps them running.
Same working session, pointed at your office. We map the busywork across your team and build the first three workflows on real production work.
A monthly arrangement: I build and maintain your workflows, train your coordinators, and keep everything inside clear confidentiality boundaries.
Paperwork, notes, and follow-ups that handle themselves, so your team's hours go to the production — not the admin around it.
Monthly arrangements are shaped on the call, and start after a working session proves it on your real work.
Book your seat and pay securely by card. Or send a quick note first if you want to make sure it's a fit.
We go through your bottlenecks, build out three workflows, and set your privacy boundaries. Live, on your real work.
You get a written 30-day plan, plus a follow-up call to sort out whatever gets stuck.
That's the first thing we sort out. Before we build anything, we decide what's off-limits (scripts, footage, client details) and design around it. You'll leave able to explain the boundary to a client.
Nope. If you can use email and a calendar, you're fine. The whole point is keeping it simple enough that you'll actually stick with it.
Most people grab a tool without a plan. We start from your actual bottlenecks, keep it to three workflows, and give you a 30-day plan and a follow-up call. That's what turns it into a habit instead of a one-off experiment.
Three workflows built around your projects, a written 30-day plan, clear privacy boundaries, and a follow-up call. Real things you can start using that same week.
It's new, and I'm keeping it small so each session gets my full attention. The first few people get direct access and a say in how it grows, at a price that reflects showing up early.
Yes — that's the production office track. We start with the same working session, pointed at your office instead of one person. If it proves out, we move to a monthly arrangement where I keep the workflows running and train your team. Book a fit call and we'll talk it through.
Only three spots · $350 each
Grab a seat and pay securely by card. Not sure yet? Send a quick note and we'll make sure it's a fit first.
No obligation. If it's not the right fit, I'll tell you.